{"id":13312,"date":"2025-04-16T19:08:07","date_gmt":"2025-04-16T22:08:07","guid":{"rendered":"https:\/\/www.mussicom.com\/os-75-melhores-albuns-de-1975-segundo-a-rolling-stone\/"},"modified":"2025-04-16T19:08:07","modified_gmt":"2025-04-16T22:08:07","slug":"os-75-melhores-albuns-de-1975-segundo-a-rolling-stone","status":"publish","type":"post","link":"https:\/\/mussicom.com\/noticias\/os-75-melhores-albuns-de-1975-segundo-a-rolling-stone\/","title":{"rendered":"Os 75 melhores \u00e1lbuns de 1975, segundo a Rolling Stone"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"\" data-end=\"899\" data-start=\"371\">A Am\u00e9rica era um lugar estranh\u00edssimo em 1975 \u2014 mas o que havia de mais estranho era a m\u00fasica. Toda a cultura passava por mudan\u00e7as r\u00e1pidas. Foi o ano em que <em data-end=\"536\" data-start=\"527\">Tubar\u00e3o<\/em> inventou o blockbuster hollywoodiano. <em data-end=\"596\" data-start=\"575\">Saturday Night Live<\/em> revolucionou a com\u00e9dia televisiva. O governo finalmente capturou a fugitiva <strong>Patty Hearst. Muhammad Ali<\/strong> venceu<strong> Joe Frazier<\/strong> na luta <em data-end=\"746\" data-start=\"727\">Thrilla in Manila<\/em>. A Guerra do Vietn\u00e3 chegou ao fim. <strong>Cher<\/strong> se casou com <strong>Gregg Allman<\/strong> \u2014 e pediu o div\u00f3rcio nove dias depois, um recorde mesmo para os padr\u00f5es dos anos 1970.<\/p>\n<p class=\"\" data-end=\"1536\" data-start=\"901\">Voc\u00ea podia ficar em casa com seu novo Pet Rock para assistir <em data-end=\"978\" data-start=\"962\">The Jeffersons<\/em>, <em data-end=\"999\" data-start=\"980\">Starsky and Hutch<\/em>, <em data-end=\"1020\" data-start=\"1001\">All in the Family<\/em> ou <em data-end=\"1046\" data-start=\"1024\">Welcome Back, Kotter<\/em>. Ou podia ir ao cinema ver <em data-end=\"1089\" data-start=\"1074\">Um Dia de C\u00e3o<\/em>, <em data-end=\"1102\" data-start=\"1091\">Nashville<\/em> ou <em data-end=\"1137\" data-start=\"1106\">The Rocky Horror Picture Show<\/em>. O Cincinnati Reds venceu o Boston Red Sox na World Series. Seu anel do humor ficou roxo. <strong>Rod Stewart<\/strong> posava com<strong> Britt Ekland<\/strong> na capa da <em data-end=\"1290\" data-start=\"1275\">Rolling Stone<\/em>. Nova York vivia a era do \u201cFord to City: Drop Dead\u201d. <strong>Bill Gates<\/strong> e <strong>Paul Allen<\/strong> fundaram a Microsoft. <strong>Mary Tyler Moore<\/strong> teve um dia dif\u00edcil no funeral do Palha\u00e7o Chuckles. <strong>Judy Blume<\/strong> publicou <em data-end=\"1488\" data-start=\"1479\">Forever<\/em>. E todo mundo na pista de dan\u00e7a fazia o Hustle.<\/p>\n<p class=\"\" data-end=\"2205\" data-start=\"1538\">No r\u00e1dio, o maior sucesso do ano foi \u201cLove Will Keep Us Together\u201d, de Captain and Tennille. Tivemos cl\u00e1ssicos eternos do rock com lendas como <strong data-end=\"1701\" data-start=\"1680\">Bruce Springsteen<\/strong>, <strong data-end=\"1717\" data-start=\"1703\">Pink Floyd<\/strong>, <strong data-end=\"1736\" data-start=\"1719\">Joni Mitchell<\/strong>, <strong data-end=\"1754\" data-start=\"1738\">Led Zeppelin<\/strong>, <strong data-end=\"1769\" data-start=\"1756\">Bob Dylan<\/strong> e <strong data-end=\"1786\" data-start=\"1772\">Neil Young<\/strong>. Recebemos o funk c\u00f3smico do <strong data-end=\"1841\" data-start=\"1816\">Parliament-Funkadelic<\/strong>. <strong data-end=\"1862\" data-start=\"1843\">Freddie Mercury<\/strong> estabeleceu um novo recorde para o maior n\u00famero de \u201cGalileos\u201d em uma \u00fanica m\u00fasica. Disco, punk, reggae e metal estavam em ascens\u00e3o. <strong data-end=\"2016\" data-start=\"1999\">Willie Nelson<\/strong> revolucionou o country fora-da-lei com <em data-end=\"2077\" data-start=\"2056\">Red Headed Stranger<\/em>. <strong data-end=\"2095\" data-start=\"2079\">Stevie Nicks<\/strong> e <strong data-end=\"2120\" data-start=\"2098\">Lindsey Buckingham<\/strong> entraram para o <strong data-end=\"2154\" data-start=\"2137\">Fleetwood Mac<\/strong>. O <strong data-end=\"2166\" data-start=\"2158\">Kiss<\/strong> se tornou uma super banda com <em data-end=\"2205\" data-start=\"2197\">Alive!<\/em><\/p>\n<p class=\"\" data-end=\"2788\" data-start=\"2207\"><mark>Ent\u00e3o vamos ao que interessa: os 75 melhores \u00e1lbuns de 1975<\/mark>, com uma playlist de faixas essenciais de cada LP. Alguns desses discos s\u00e3o cl\u00e1ssicos famosos, amados no mundo inteiro. Outros s\u00e3o cults, tesouros escondidos, raridades ou obras \u00fanicas. Temos prog, dub, afrobeat, art rock alem\u00e3o, soul, pop descart\u00e1vel, jazz, honky-tonk, psicodelia brasileira, KC and the Sunshine Band. Alguns foram sucessos estrondosos; outros fracassaram. Mas todos esses \u00e1lbuns de 1975 t\u00eam algo em comum: <strong data-end=\"2724\" data-start=\"2692\">ainda soam incr\u00edveis em 2025<\/strong>. Como diriam em <em data-end=\"2755\" data-start=\"2741\">Rocky Horror<\/em>: <em data-end=\"2787\" data-start=\"2757\">Let\u2019s do the time warp again<\/em>.<\/p>\n<p class=\"\" data-end=\"2788\" data-start=\"2207\"><iframe allowfullscreen=\"allowfullscreen\" frameborder=\"0\" height=\"352\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/3fSrbHXSRneEgsA3NDJquW?utm_source=generator\" style=\"border-radius: 12px;\" width=\"100%\"><\/iframe><\/p>\n<hr\/>\n<p class=\"\" data-end=\"2788\" data-start=\"2207\"><strong data-end=\"147\" data-start=\"140\">75.<\/strong><strong data-end=\"156\" data-start=\"148\">ABBA<\/strong> \u2013 <em data-end=\"165\" data-start=\"159\">ABBA<\/em><br data-end=\"168\" data-start=\"165\"\/><strong data-end=\"175\" data-start=\"168\">74.<\/strong><strong data-end=\"192\" data-start=\"176\">Ohio Players<\/strong> \u2013 <em data-end=\"202\" data-start=\"195\">Honey<\/em><br data-end=\"205\" data-start=\"202\"\/><strong data-end=\"212\" data-start=\"205\">73.<\/strong><strong data-end=\"232\" data-start=\"213\">Crosby and Nash<\/strong> \u2013 <em data-end=\"254\" data-start=\"235\">Wind on the Water<\/em><br data-end=\"257\" data-start=\"254\"\/><strong data-end=\"264\" data-start=\"257\">72.<\/strong><strong data-end=\"301\" data-start=\"265\">Harold Melvin and the Blue Notes<\/strong> \u2013 <em data-end=\"316\" data-start=\"304\">To Be True<\/em><br data-end=\"319\" data-start=\"316\"\/><strong data-end=\"326\" data-start=\"319\">71.<\/strong><strong data-end=\"341\" data-start=\"327\">Elton John<\/strong> \u2013 <em data-end=\"365\" data-start=\"344\">Rock of the Westies<\/em><br data-end=\"368\" data-start=\"365\"\/><strong data-end=\"375\" data-start=\"368\">70.<\/strong><strong data-end=\"392\" data-start=\"376\">The Miracles<\/strong> \u2013 <em data-end=\"411\" data-start=\"395\">City of Angels<\/em><br data-end=\"414\" data-start=\"411\"\/><strong data-end=\"421\" data-start=\"414\">69.<\/strong><strong data-end=\"435\" data-start=\"422\">Joan Baez<\/strong> \u2013 <em data-end=\"455\" data-start=\"438\">Diamonds &amp; Rust<\/em><br data-end=\"458\" data-start=\"455\"\/><strong data-end=\"465\" data-start=\"458\">68.<\/strong><strong data-end=\"485\" data-start=\"466\">Curtis Mayfield<\/strong> \u2013 <em data-end=\"525\" data-start=\"488\">There\u2019s No Place Like America Today<\/em><br data-end=\"528\" data-start=\"525\"\/><strong data-end=\"535\" data-start=\"528\">67.<\/strong><strong data-end=\"550\" data-start=\"536\">Thin Lizzy<\/strong> \u2013 <em data-end=\"563\" data-start=\"553\">Fighting<\/em><br data-end=\"566\" data-start=\"563\"\/><strong data-end=\"573\" data-start=\"566\">66.<\/strong><strong data-end=\"597\" data-start=\"574\">Shirley and Company<\/strong> \u2013 <em data-end=\"619\" data-start=\"600\">Shame Shame Shame<\/em><br data-end=\"622\" data-start=\"619\"\/><strong data-end=\"629\" data-start=\"622\">65.<\/strong><strong data-end=\"647\" data-start=\"630\">Steve Hackett<\/strong> \u2013 <em data-end=\"673\" data-start=\"650\">Voyage of the Acolyte<\/em><br data-end=\"676\" data-start=\"673\"\/><strong data-end=\"683\" data-start=\"676\">64.<\/strong><strong data-end=\"706\" data-start=\"684\">Jefferson Starship<\/strong> \u2013 <em data-end=\"722\" data-start=\"709\">Red Octopus<\/em><br data-end=\"725\" data-start=\"722\"\/><strong data-end=\"732\" data-start=\"725\">63.<\/strong><strong data-end=\"745\" data-start=\"733\">Latimore<\/strong> \u2013 <em data-end=\"762\" data-start=\"748\">Latimore III<\/em><br data-end=\"765\" data-start=\"762\"\/><strong data-end=\"772\" data-start=\"765\">62.<\/strong><strong data-end=\"787\" data-start=\"773\">The Eagles<\/strong> \u2013 <em data-end=\"811\" data-start=\"790\">One of These Nights<\/em><br data-end=\"814\" data-start=\"811\"\/><strong data-end=\"821\" data-start=\"814\">61.<\/strong><strong data-end=\"838\" data-start=\"822\">Nils Lofgren<\/strong> \u2013 <em data-end=\"855\" data-start=\"841\">Nils Lofgren<\/em><br data-end=\"858\" data-start=\"855\"\/><strong data-end=\"865\" data-start=\"858\">60.<\/strong><strong data-end=\"896\" data-start=\"866\">Rufus featuring Chaka Khan<\/strong> \u2013 <em data-end=\"927\" data-start=\"899\">Rufus featuring Chaka Khan<\/em><br data-end=\"930\" data-start=\"927\"\/><strong data-end=\"937\" data-start=\"930\">59.<\/strong><strong data-end=\"957\" data-start=\"938\">Waylon Jennings<\/strong> \u2013 <em data-end=\"980\" data-start=\"960\">Dreaming My Dreams<\/em><br data-end=\"983\" data-start=\"980\"\/><strong data-end=\"990\" data-start=\"983\">58.<\/strong><strong data-end=\"1004\" data-start=\"991\">Jeff Beck<\/strong> \u2013 <em data-end=\"1021\" data-start=\"1007\">Blow by Blow<\/em><br data-end=\"1024\" data-start=\"1021\"\/><strong data-end=\"1031\" data-start=\"1024\">57.<\/strong><strong data-end=\"1044\" data-start=\"1032\">The Band<\/strong> \u2013 <em data-end=\"1081\" data-start=\"1047\">Northern Lights \u2013 Southern Cross<\/em><br data-end=\"1084\" data-start=\"1081\"\/><strong data-end=\"1091\" data-start=\"1084\">56.<\/strong><strong data-end=\"1109\" data-start=\"1092\">Keith Jarrett<\/strong> \u2013 <em data-end=\"1130\" data-start=\"1112\">The K\u00f6ln Concert<\/em><br data-end=\"1133\" data-start=\"1130\"\/><strong data-end=\"1140\" data-start=\"1133\">55.<\/strong><em data-end=\"1159\" data-start=\"1141\">Trilha sonora de<\/em><strong data-end=\"1193\" data-start=\"1160\">The Rocky Horror Picture Show<\/strong><br data-end=\"1196\" data-start=\"1193\"\/><strong data-end=\"1203\" data-start=\"1196\">54.<\/strong><strong data-end=\"1211\" data-start=\"1204\">War<\/strong> \u2013 <em data-end=\"1240\" data-start=\"1214\">Why Can\u2019t We Be Friends?<\/em><br data-end=\"1243\" data-start=\"1240\"\/><strong data-end=\"1250\" data-start=\"1243\">53.<\/strong><strong data-end=\"1259\" data-start=\"1251\">Rush<\/strong> \u2013 <em data-end=\"1276\" data-start=\"1262\">Fly by Night<\/em><br data-end=\"1279\" data-start=\"1276\"\/><strong data-end=\"1286\" data-start=\"1279\">52.<\/strong><strong data-end=\"1315\" data-start=\"1287\">Paul McCartney and Wings<\/strong> \u2013 <em data-end=\"1334\" data-start=\"1318\">Venus and Mars<\/em><br data-end=\"1337\" data-start=\"1334\"\/><strong data-end=\"1344\" data-start=\"1337\">51.<\/strong><strong data-end=\"1366\" data-start=\"1345\">The Grateful Dead<\/strong> \u2013 <em data-end=\"1386\" data-start=\"1369\">Blues for Allah<\/em><br data-end=\"1389\" data-start=\"1386\"\/><strong data-end=\"1396\" data-start=\"1389\">50.<\/strong><strong data-end=\"1428\" data-start=\"1397\">Lee Perry and the Upsetters<\/strong> \u2013 <em data-end=\"1447\" data-start=\"1431\">Revolution Dub<\/em><br data-end=\"1450\" data-start=\"1447\"\/><strong data-end=\"1457\" data-start=\"1450\">49.<\/strong><strong data-end=\"1469\" data-start=\"1458\">The Who<\/strong> \u2013 <em data-end=\"1492\" data-start=\"1472\">The Who by Numbers<\/em><br data-end=\"1495\" data-start=\"1492\"\/><strong data-end=\"1502\" data-start=\"1495\">48.<\/strong><strong data-end=\"1522\" data-start=\"1503\">Minnie Riperton<\/strong> \u2013 <em data-end=\"1549\" data-start=\"1525\">Adventures in Paradise<\/em><br data-end=\"1552\" data-start=\"1549\"\/><strong data-end=\"1559\" data-start=\"1552\">47.<\/strong><strong data-end=\"1569\" data-start=\"1560\">AC\/DC<\/strong> \u2013 <em data-end=\"1580\" data-start=\"1572\">T.N.T.<\/em><br data-end=\"1583\" data-start=\"1580\"\/><strong data-end=\"1590\" data-start=\"1583\">46.<\/strong><strong data-end=\"1607\" data-start=\"1591\">Bonnie Raitt<\/strong> \u2013 <em data-end=\"1622\" data-start=\"1610\">Home Plate<\/em><br data-end=\"1625\" data-start=\"1622\"\/><strong data-end=\"1632\" data-start=\"1625\">45.<\/strong><strong data-end=\"1645\" data-start=\"1633\">Al Green<\/strong> \u2013 <em data-end=\"1666\" data-start=\"1648\">Al Green Is Love<\/em><br data-end=\"1669\" data-start=\"1666\"\/><strong data-end=\"1676\" data-start=\"1669\">44.<\/strong><strong data-end=\"1693\" data-start=\"1677\">Gary Stewart<\/strong> \u2013 <em data-end=\"1709\" data-start=\"1696\">Out of Hand<\/em><br data-end=\"1712\" data-start=\"1709\"\/><strong data-end=\"1719\" data-start=\"1712\">43.<\/strong><strong data-end=\"1737\" data-start=\"1720\">Roberta Flack<\/strong> \u2013 <em data-end=\"1763\" data-start=\"1740\">Feel Like Makin\u2019 Love<\/em><br data-end=\"1766\" data-start=\"1763\"\/><strong data-end=\"1773\" data-start=\"1766\">42.<\/strong><strong data-end=\"1788\" data-start=\"1774\">Elton John<\/strong> \u2013 <em data-end=\"1836\" data-start=\"1791\">Captain Fantastic and the Brown Dirt Cowboy<\/em><br data-end=\"1839\" data-start=\"1836\"\/><strong data-end=\"1846\" data-start=\"1839\">41.<\/strong><strong data-end=\"1856\" data-start=\"1847\">Heart<\/strong> \u2013 <em data-end=\"1876\" data-start=\"1859\">Dreamboat Annie<\/em><br data-end=\"1879\" data-start=\"1876\"\/><strong data-end=\"1886\" data-start=\"1879\">40.<\/strong><strong data-end=\"1903\" data-start=\"1887\">The Spinners<\/strong> \u2013 <em data-end=\"1926\" data-start=\"1906\">Pick of the Litter<\/em><br data-end=\"1929\" data-start=\"1926\"\/><strong data-end=\"1936\" data-start=\"1929\">39.<\/strong><strong data-end=\"1950\" data-start=\"1937\">Guy Clark<\/strong> \u2013 <em data-end=\"1964\" data-start=\"1953\">Old No. 1<\/em><br data-end=\"1967\" data-start=\"1964\"\/><strong data-end=\"1974\" data-start=\"1967\">38.<\/strong><strong data-end=\"1989\" data-start=\"1975\">Parliament<\/strong> \u2013 <em data-end=\"2008\" data-start=\"1992\">Chocolate City<\/em><br data-end=\"2011\" data-start=\"2008\"\/><strong data-end=\"2018\" data-start=\"2011\">37.<\/strong><strong data-end=\"2037\" data-start=\"2019\">Emmylou Harris<\/strong> \u2013 <em data-end=\"2059\" data-start=\"2040\">Pieces of the Sky<\/em><br data-end=\"2062\" data-start=\"2059\"\/><strong data-end=\"2069\" data-start=\"2062\">36.<\/strong><strong data-end=\"2092\" data-start=\"2070\">The Isley Brothers<\/strong> \u2013 <em data-end=\"2111\" data-start=\"2095\">The Heat Is On<\/em><br data-end=\"2114\" data-start=\"2111\"\/><strong data-end=\"2121\" data-start=\"2114\">35.<\/strong><strong data-end=\"2137\" data-start=\"2122\">Miles Davis<\/strong> \u2013 <em data-end=\"2149\" data-start=\"2140\">Agharta<\/em><br data-end=\"2152\" data-start=\"2149\"\/><strong data-end=\"2159\" data-start=\"2152\">34.<\/strong><strong data-end=\"2175\" data-start=\"2160\">Betty Davis<\/strong> \u2013 <em data-end=\"2189\" data-start=\"2178\">Nasty Gal<\/em><br data-end=\"2192\" data-start=\"2189\"\/><strong data-end=\"2199\" data-start=\"2192\">33.<\/strong><strong data-end=\"2216\" data-start=\"2200\">The Bee Gees<\/strong> \u2013 <em data-end=\"2232\" data-start=\"2219\">Main Course<\/em><br data-end=\"2235\" data-start=\"2232\"\/><strong data-end=\"2242\" data-start=\"2235\">32.<\/strong><strong data-end=\"2271\" data-start=\"2243\">Gilberto Gil &amp; Jorge Ben<\/strong> \u2013 <em data-end=\"2300\" data-start=\"2274\">Gil e Jorge \/ Ogum Xang\u00f4<\/em><br data-end=\"2303\" data-start=\"2300\"\/><strong data-end=\"2310\" data-start=\"2303\">31.<\/strong><strong data-end=\"2319\" data-start=\"2311\">Kiss<\/strong> \u2013 <em data-end=\"2330\" data-start=\"2322\">Alive!<\/em><br data-end=\"2333\" data-start=\"2330\"\/><strong data-end=\"2340\" data-start=\"2333\">30.<\/strong><strong data-end=\"2369\" data-start=\"2341\">KC and the Sunshine Band<\/strong> \u2013 <em data-end=\"2398\" data-start=\"2372\">KC and the Sunshine Band<\/em><br data-end=\"2401\" data-start=\"2398\"\/><strong data-end=\"2408\" data-start=\"2401\">29.<\/strong><strong data-end=\"2422\" data-start=\"2409\">Kraftwerk<\/strong> \u2013 <em data-end=\"2441\" data-start=\"2425\">Radio-Activity<\/em><br data-end=\"2444\" data-start=\"2441\"\/><strong data-end=\"2451\" data-start=\"2444\">28.<\/strong><strong data-end=\"2466\" data-start=\"2452\">Funkadelic<\/strong> \u2013 <em data-end=\"2497\" data-start=\"2469\">Let\u2019s Take It to the Stage<\/em><br data-end=\"2500\" data-start=\"2497\"\/><strong data-end=\"2507\" data-start=\"2500\">27.<\/strong><strong data-end=\"2521\" data-start=\"2508\">Aerosmith<\/strong> \u2013 <em data-end=\"2543\" data-start=\"2524\">Toys in the Attic<\/em><br data-end=\"2546\" data-start=\"2543\"\/><strong data-end=\"2553\" data-start=\"2546\">26.<\/strong><strong data-end=\"2569\" data-start=\"2554\">David Bowie<\/strong> \u2013 <em data-end=\"2589\" data-start=\"2572\">Young Americans<\/em><br data-end=\"2592\" data-start=\"2589\"\/><strong data-end=\"2599\" data-start=\"2592\">25.<\/strong><strong data-end=\"2614\" data-start=\"2600\">Paul Simon<\/strong> \u2013 <em data-end=\"2652\" data-start=\"2617\">Still Crazy After All These Years<\/em><br data-end=\"2655\" data-start=\"2652\"\/><strong data-end=\"2662\" data-start=\"2655\">24.<\/strong><strong data-end=\"2688\" data-start=\"2663\">Fela Kuti &amp; Africa 70<\/strong> \u2013 <em data-end=\"2707\" data-start=\"2691\">Expensive Shit<\/em><br data-end=\"2710\" data-start=\"2707\"\/><strong data-end=\"2717\" data-start=\"2710\">23.<\/strong><strong data-end=\"2735\" data-start=\"2718\">Black Sabbath<\/strong> \u2013 <em data-end=\"2748\" data-start=\"2738\">Sabotage<\/em><br data-end=\"2751\" data-start=\"2748\"\/><strong data-end=\"2758\" data-start=\"2751\">22.<\/strong><strong data-end=\"2776\" data-start=\"2759\">Fleetwood Mac<\/strong> \u2013 <em data-end=\"2794\" data-start=\"2779\">Fleetwood Mac<\/em><br data-end=\"2797\" data-start=\"2794\"\/><strong data-end=\"2804\" data-start=\"2797\">21.<\/strong><strong data-end=\"2822\" data-start=\"2805\">Burning Spear<\/strong> \u2013 <em data-end=\"2840\" data-start=\"2825\">Marcus Garvey<\/em><br data-end=\"2843\" data-start=\"2840\"\/><strong data-end=\"2850\" data-start=\"2843\">20.<\/strong><strong data-end=\"2860\" data-start=\"2851\">Queen<\/strong> \u2013 <em data-end=\"2885\" data-start=\"2863\">A Night at the Opera<\/em><br data-end=\"2888\" data-start=\"2885\"\/><strong data-end=\"2895\" data-start=\"2888\">19.<\/strong><strong data-end=\"2910\" data-start=\"2896\">Steely Dan<\/strong> \u2013 <em data-end=\"2924\" data-start=\"2913\">Katy Lied<\/em><br data-end=\"2927\" data-start=\"2924\"\/><strong data-end=\"2934\" data-start=\"2927\">18.<\/strong><strong data-end=\"2965\" data-start=\"2935\">Bob Marley and the Wailers<\/strong> \u2013 <em data-end=\"2975\" data-start=\"2968\">Live!<\/em><br data-end=\"2978\" data-start=\"2975\"\/><strong data-end=\"2985\" data-start=\"2978\">17.<\/strong><strong data-end=\"2999\" data-start=\"2986\">Brian Eno<\/strong> \u2013 <em data-end=\"3023\" data-start=\"3002\">Another Green World<\/em><br data-end=\"3026\" data-start=\"3023\"\/><strong data-end=\"3033\" data-start=\"3026\">16.<\/strong><strong data-end=\"3056\" data-start=\"3034\">Earth, Wind &amp; Fire<\/strong> \u2013 <em data-end=\"3088\" data-start=\"3059\">That\u2019s the Way of the World<\/em><br data-end=\"3091\" data-start=\"3088\"\/><strong data-end=\"3098\" data-start=\"3091\">15.<\/strong><strong data-end=\"3129\" data-start=\"3099\">Richard and Linda Thompson<\/strong> \u2013 <em data-end=\"3155\" data-start=\"3132\">Pour Down Like Silver<\/em><br data-end=\"3158\" data-start=\"3155\"\/><strong data-end=\"3165\" data-start=\"3158\">14.<\/strong><strong data-end=\"3185\" data-start=\"3166\">Smokey Robinson<\/strong> \u2013 <em data-end=\"3203\" data-start=\"3188\">A Quiet Storm<\/em><br data-end=\"3206\" data-start=\"3203\"\/><strong data-end=\"3213\" data-start=\"3206\">13.<\/strong><strong data-end=\"3240\" data-start=\"3214\">Bob Dylan and the Band<\/strong> \u2013 <em data-end=\"3263\" data-start=\"3243\">The Basement Tapes<\/em><br data-end=\"3266\" data-start=\"3263\"\/><strong data-end=\"3273\" data-start=\"3266\">12.<\/strong><strong data-end=\"3291\" data-start=\"3274\">Willie Nelson<\/strong> \u2013 <em data-end=\"3315\" data-start=\"3294\">Red Headed Stranger<\/em><br data-end=\"3318\" data-start=\"3315\"\/><strong data-end=\"3325\" data-start=\"3318\">11.<\/strong><strong data-end=\"3340\" data-start=\"3326\">Roxy Music<\/strong> \u2013 <em data-end=\"3350\" data-start=\"3343\">Siren<\/em><br data-end=\"3353\" data-start=\"3350\"\/><strong data-end=\"3360\" data-start=\"3353\">10.<\/strong><strong data-end=\"3377\" data-start=\"3361\">Led Zeppelin<\/strong> \u2013 <em data-end=\"3399\" data-start=\"3380\">Physical Graffiti<\/em><br data-end=\"3402\" data-start=\"3399\"\/><strong data-end=\"3408\" data-start=\"3402\">9.<\/strong><strong data-end=\"3439\" data-start=\"3409\">Neil Young and Crazy Horse<\/strong> \u2013 <em data-end=\"3448\" data-start=\"3442\">Zuma<\/em><br data-end=\"3451\" data-start=\"3448\"\/><strong data-end=\"3457\" data-start=\"3451\">8.<\/strong><strong data-end=\"3475\" data-start=\"3458\">Joni Mitchell<\/strong> \u2013 <em data-end=\"3507\" data-start=\"3478\">The Hissing of Summer Lawns<\/em><br data-end=\"3510\" data-start=\"3507\"\/><strong data-end=\"3516\" data-start=\"3510\">7.<\/strong><strong data-end=\"3531\" data-start=\"3517\">Pink Floyd<\/strong> \u2013 <em data-end=\"3554\" data-start=\"3534\">Wish You Were Here<\/em><br data-end=\"3557\" data-start=\"3554\"\/><strong data-end=\"3563\" data-start=\"3557\">6.<\/strong><strong data-end=\"3589\" data-start=\"3564\">Toots and the Maytals<\/strong> \u2013 <em data-end=\"3608\" data-start=\"3592\">Funky Kingston<\/em><\/p>\n<hr\/>\n<p class=\"\" data-end=\"973\" data-start=\"81\"><strong data-end=\"121\" data-start=\"81\">5. Bruce Springsteen \u2013 <em data-end=\"119\" data-start=\"106\">Born to Run<\/em><\/strong><br data-end=\"124\" data-start=\"121\"\/>A primeira vez que <strong data-end=\"164\" data-start=\"143\">Bruce Springsteen<\/strong> ouviu o \u00e1lbum que salvaria e definiria sua carreira, ele o jogou na piscina. Anos depois, contou \u00e0 <em data-end=\"279\" data-start=\"264\">Rolling Stone<\/em> que tinha medo \u201cde lan\u00e7ar aquele disco e simplesmente dizer: \u2018Bem, \u00e9 isso que eu sou\u2019, por todos os motivos \u00f3bvios que fazem algu\u00e9m ter medo de se expor\u201d. <em data-end=\"448\" data-start=\"435\">Born to Run<\/em> \u00e9 o som da confian\u00e7a e da vulnerabilidade de um grande artista, esperan\u00e7as e medos correndo lado a lado numa corrida de arrancada em alta velocidade, com tudo e nada a perder. \u00c9 uma declara\u00e7\u00e3o total de identidade, que ainda ressoa n\u00e3o importa quantas vezes voc\u00ea j\u00e1 tenha ouvido \u201cThunder Road\u201d, \u201cBorn to Run\u201d, \u201cJungleland\u201d ou \u201cBackstreets\u201d. Mas o que faz desse \u00e1lbum uma grande obra \u2014 uma grande obra de arte \u2014 \u00e9 o modo como o \u201c\u00c9 isso que eu sou\u201d de Springsteen nos ajuda a entender um pouco mais quem n\u00f3s somos. \u2014J. Blistein<\/p>\n<hr class=\"\" data-end=\"978\" data-start=\"975\"\/>\n<p class=\"\" data-end=\"2182\" data-start=\"980\"><strong data-end=\"1021\" data-start=\"980\">4. Neil Young \u2013 <em data-end=\"1019\" data-start=\"998\">Tonight\u2019s the Night<\/em><\/strong><br data-end=\"1024\" data-start=\"1021\"\/><em data-end=\"1045\" data-start=\"1024\">Tonight\u2019s the Night<\/em> \u00e9 o cap\u00edtulo final da famosa \u201ctrilogia da sarjeta\u201d de <strong data-end=\"1114\" data-start=\"1100\">Neil Young<\/strong>, e \u00e9 ainda mais sombrio do que <em data-end=\"1163\" data-start=\"1146\">Time Fades Away<\/em> e <em data-end=\"1180\" data-start=\"1166\">On the Beach<\/em>, funcionando como uma \u201ccarta sobre overdose\u201d escrita enquanto ele lidava com a morte do guitarrista <strong data-end=\"1298\" data-start=\"1281\">Danny Whitten<\/strong> e do roadie <strong data-end=\"1326\" data-start=\"1311\">Bruce Berry<\/strong>. Reunido em um est\u00fadio improvisado com <strong data-end=\"1382\" data-start=\"1366\">Billy Talbot<\/strong> e <strong data-end=\"1401\" data-start=\"1385\">Ralph Molina<\/strong>, do Crazy Horse \u2014 primeira vez juntos desde a morte de Whitten \u2014 al\u00e9m de <strong data-end=\"1488\" data-start=\"1475\">Ben Keith<\/strong> e <strong data-end=\"1507\" data-start=\"1491\">Nils Lofgren<\/strong>, Young processou seu luto em melodias cruas e desfiladas, embriagadas de u\u00edsque, que desorientariam ouvintes por d\u00e9cadas. A faixa-t\u00edtulo soa como um canto f\u00fanebre, adequado a uma sess\u00e3o esp\u00edrita, e voc\u00ea pode realmente ouvir esse ritual come\u00e7ar em \u201cCome on Baby Let\u2019s Go Downtown\u201d, onde Whitten aparece nos vocais. \u201cAlbuquerque\u201d e \u201cMellow My Mind\u201d est\u00e3o entre os momentos mais honestos e ternos da discografia de Young, enquanto \u201cTired Eyes\u201d funciona como uma continua\u00e7\u00e3o de \u201cThe Needle and the Damage Done\u201d. Gravado dois anos antes e engavetado, o disco s\u00f3 foi lan\u00e7ado quando Young decidiu que sua obra assombrada estava pronta. E desde ent\u00e3o, nunca deixamos de ouvir. \u2014A.M.<\/p>\n<hr class=\"\" data-end=\"2187\" data-start=\"2184\"\/>\n<p class=\"\" data-end=\"3182\" data-start=\"2189\"><strong data-end=\"2232\" data-start=\"2189\">3. Parliament \u2013 <em data-end=\"2230\" data-start=\"2207\">Mothership Connection<\/em><\/strong><br data-end=\"2235\" data-start=\"2232\"\/>O <strong data-end=\"2254\" data-start=\"2237\">Afrofuturismo<\/strong> deve tudo ao <strong data-end=\"2282\" data-start=\"2268\">Parliament<\/strong>, e o \u00e1lbum <em data-end=\"2317\" data-start=\"2294\">Mothership Connection<\/em> \u00e9 um dos pilares do conceito. Trata-se de uma obra imaginativa que retrata um encontro entre astronautas negros e extraterrestres no espa\u00e7o sideral, com inspira\u00e7\u00f5es em <em data-end=\"2497\" data-start=\"2486\">Star Trek<\/em> e <em data-end=\"2530\" data-start=\"2500\">2001: Uma Odisseia no Espa\u00e7o<\/em>, al\u00e9m de discos conceituais como <em data-end=\"2603\" data-start=\"2564\">Sgt. Pepper\u2019s Lonely Hearts Club Band<\/em>, dos Beatles, e <em data-end=\"2627\" data-start=\"2620\">Tommy<\/em>, do The Who. O resultado \u00e9 puro funk, com <strong data-end=\"2688\" data-start=\"2670\">George Clinton<\/strong> assumindo facilmente o papel de DJ da nave-m\u00e3e, transmitindo direto da \u201cVia L\u00e1ctea de Chocolate\u201d. O \u00e1lbum se tornou t\u00e3o fundamental para o funk quanto para a m\u00fasica pop, sendo amplamente sampleado no hip-hop por d\u00e9cadas. A nave-m\u00e3e tamb\u00e9m virou um s\u00edmbolo central nas apresenta\u00e7\u00f5es ao vivo da banda durante o restante dos anos 1970. O disco ainda gerou um dos maiores sucessos do grupo: \u201cGive Up the Funk (Tear the Roof Off the Sucker)\u201d, seu primeiro single a vender um milh\u00e3o de c\u00f3pias. \u2014B.S.<\/p>\n<hr class=\"\" data-end=\"3187\" data-start=\"3184\"\/>\n<p class=\"\" data-end=\"4352\" data-start=\"3189\"><strong data-end=\"3218\" data-start=\"3189\">2. Patti Smith \u2013 <em data-end=\"3216\" data-start=\"3208\">Horses<\/em><\/strong><br data-end=\"3221\" data-start=\"3218\"\/>\u201cJesus morreu pelos pecados de algu\u00e9m, mas n\u00e3o pelos meus.\u201d Algum \u00e1lbum j\u00e1 come\u00e7ou de forma t\u00e3o impressionante? Quando lan\u00e7ou <em data-end=\"3355\" data-start=\"3347\">Horses<\/em>, seu disco de estreia, <strong data-end=\"3394\" data-start=\"3379\">Patti Smith<\/strong> ainda era praticamente desconhecida, mas rapidamente a obra virou refer\u00eancia do punk rock \u2014 estilo que ela fundiu com sua paix\u00e3o pela poesia. Smith subverte um cl\u00e1ssico de <strong data-end=\"3583\" data-start=\"3567\">Van Morrison<\/strong> (\u201cGloria\u201d), reflete sobre a pobreza (na desafiadora \u201cFree Money\u201d) e apresenta uma odiss\u00e9ia de 10 minutos repleta de figuras reais e liter\u00e1rias (\u201cLand\u201d), tudo com a ajuda de uma banda impressionante: o guitarrista <strong data-end=\"3811\" data-start=\"3797\">Lenny Kaye<\/strong>, o pianista <strong data-end=\"3840\" data-start=\"3824\">Richard Sohl<\/strong>, o baixista <strong data-end=\"3866\" data-start=\"3853\">Ivan Kral<\/strong> e o baterista <strong data-end=\"3902\" data-start=\"3881\">Jay Dee Daugherty<\/strong>, al\u00e9m de <strong data-end=\"3925\" data-start=\"3912\">John Cale<\/strong>, do Velvet Underground, na produ\u00e7\u00e3o. A capa ic\u00f4nica em preto e branco, em que Smith posa de forma andr\u00f3gina com um casaco preto sobre o ombro, foi clicada por seu muso de <em data-end=\"4108\" data-start=\"4097\">Just Kids<\/em>, <strong data-end=\"4133\" data-start=\"4110\">Robert Mapplethorpe<\/strong>. \u201cSou uma garota fazendo o que os caras costumavam fazer\u201d, ela disse \u00e0 <em data-end=\"4220\" data-start=\"4205\">Rolling Stone<\/em> em 1976. \u201cA maneira como eu me visto, os objetivos e as coisas que quero ajudar a realizar atrav\u00e9s do rock.\u201d Miss\u00e3o cumprida. \u2014A.M.<\/p>\n<hr class=\"\" data-end=\"4357\" data-start=\"4354\"\/>\n<p class=\"\" data-end=\"5415\" data-start=\"4359\"><strong data-end=\"4399\" data-start=\"4359\">1. Bob Dylan \u2013 <em data-end=\"4397\" data-start=\"4376\">Blood on the Tracks<\/em><\/strong><br data-end=\"4402\" data-start=\"4399\"\/><strong data-end=\"4415\" data-start=\"4402\">Bob Dylan<\/strong> chocou o mundo com <em data-end=\"4456\" data-start=\"4435\">Blood on the Tracks<\/em>, o \u00e1lbum em que ele canta com uma nova e ardente voz adulta \u2014 um homem em dor, remoendo amores perdidos enquanto segue seu caminho. Ningu\u00e9m imaginava que ele ainda carregava tamanha paix\u00e3o. Dylan criou o disco enquanto seu casamento desmoronava, cantando \u201cTangled Up in Blue\u201d com intensidade brutal. Foi o maior retorno do rock, ressuscitando sua carreira ap\u00f3s anos de discos sem brilho e can\u00e7\u00f5es educadas demais. Mas tamb\u00e9m \u00e9 o \u00e1lbum definitivo sobre t\u00e9rminos amorosos. Quando se est\u00e1 sofrendo de cora\u00e7\u00e3o partido, nada bate t\u00e3o forte quanto ouvir Dylan lamentar em \u201cYou\u2019re a Big Girl Now\u201d, destilar raiva em \u201cIdiot Wind\u201d ou aceitar seu destino com resigna\u00e7\u00e3o em \u201cIf You See Her, Say Hello\u201d. Ele \u00e9 um \u201cValete de Copas\u201d levado pelo acaso, cruzando Delacroix, Montague Street, S\u00e3o Francisco, Ashtabula, a represa de Grand Coulee e at\u00e9 o Capit\u00f3lio. S\u00f3 o modo como ele canta \u201cYou\u2019re gonna make me give myself a good talking-toooo\u201d j\u00e1 valeria um Pr\u00eamio Nobel.<\/p>\n<p class=\"\" data-end=\"5834\" data-start=\"5417\"><em data-end=\"5438\" data-start=\"5417\">Blood on the Tracks<\/em> foi um sucesso imediato de cr\u00edtica e p\u00fablico. \u201cMuita gente me disse que adorou o \u00e1lbum\u201d, contou Dylan. \u201c\u00c9 dif\u00edcil me relacionar com isso \u2014 digo, as pessoas gostando desse tipo de dor.\u201d Mas, nos \u00faltimos 50 anos, <em data-end=\"5671\" data-start=\"5650\">Blood on the Tracks<\/em> virou um disco ao qual todos recorrem em tempos dif\u00edceis. Especialmente quando o amor termina e tudo o que resta \u00e9 um cora\u00e7\u00e3o espremido como um saca-rolhas. \u2014R.S.<\/p>\n<hr\/>\n<p class=\"\" data-end=\"5834\" data-start=\"5417\"><em><strong>Essa mat\u00e9ria \u00e9 uma tradu\u00e7\u00e3o da Rolling Stone publicada em 16 de abril de 2025. Leia a vers\u00e3o original aqui.<\/strong><\/em><\/p>\n<p class=\"\" data-end=\"5834\" data-start=\"5417\"><em><strong><span class=\"lrv-u-font-weight-bold lrv-u-text-transform-uppercase\">Colaboradores:\u00a0<\/span>Jonathan Bernstein\u00a0,\u00a0Jon Blistein\u00a0,\u00a0David Browne\u00a0,\u00a0Mankaprr Conteh\u00a0,\u00a0Jon Dolan\u00a0,\u00a0Will Dukes\u00a0,\u00a0Andy Greene\u00a0,\u00a0Joseph Hudak\u00a0,\u00a0Maura Johnston\u00a0,\u00a0Julyssa Lopez\u00a0,\u00a0Angie Martoccio\u00a0,\u00a0Michaelangelo Matos\u00a0,\u00a0Larisha Paul\u00a0,\u00a0Mosi Reeves\u00a0,\u00a0Rob Sheffield\u00a0,\u00a0Brittany Spanos\u00a0,\u00a0Alison Weinflash.<\/strong><\/em><\/p>\n<\/div>\n<p><br \/>\n<br \/>Fonte: <a href=\"https:\/\/rollingstone.com.br\/musica\/os-75-melhores-albuns-de-1975\/\">rollingstone.com.br<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Am\u00e9rica era um lugar estranh\u00edssimo em 1975 \u2014 mas o que havia de mais estranho era a m\u00fasica. Toda a cultura passava por mudan\u00e7as r\u00e1pidas. Foi o ano em que Tubar\u00e3o inventou o blockbuster hollywoodiano. Saturday Night Live revolucionou a com\u00e9dia televisiva. O governo finalmente capturou a fugitiva Patty Hearst. Muhammad Ali venceu Joe [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":13313,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[51],"tags":[],"class_list":["post-13312","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musica"],"_links":{"self":[{"href":"https:\/\/mussicom.com\/noticias\/wp-json\/wp\/v2\/posts\/13312","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mussicom.com\/noticias\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mussicom.com\/noticias\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mussicom.com\/noticias\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/mussicom.com\/noticias\/wp-json\/wp\/v2\/comments?post=13312"}],"version-history":[{"count":0,"href":"https:\/\/mussicom.com\/noticias\/wp-json\/wp\/v2\/posts\/13312\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mussicom.com\/noticias\/wp-json\/wp\/v2\/media\/13313"}],"wp:attachment":[{"href":"https:\/\/mussicom.com\/noticias\/wp-json\/wp\/v2\/media?parent=13312"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mussicom.com\/noticias\/wp-json\/wp\/v2\/categories?post=13312"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mussicom.com\/noticias\/wp-json\/wp\/v2\/tags?post=13312"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}